Live installation, using Derek Jarmen's Journey to Avebury (1971); sound and visuals from Foclore Impressionista

Plastic sheet, soil, sand, salt, sugar, found objects, tumbleweed, spray, washing up liquid, chalk, strawberries, milk

April 2018, Atelier Banco, Lisbon

Screen Shot 2021-07-12 at 19.58_edited.jpg

Foi, Começou, Foi (2019)

It was, it began, It went 

(Found footage (INA Archive), ASMR sounds)

A video work responding to the theme '69 Année érotique' for WrongWrong magazine. Invited by Marcelo Felix. EN / PT

 

press to zoom

press to zoom

press to zoom

press to zoom
1/4

press to zoom

press to zoom

press to zoom

press to zoom
1/9

press to zoom

press to zoom

press to zoom

press to zoom
1/7

[ /// 0 ... ] (2019)

perspex, fishing weight, burnt copper pipes, pink salt

Installation view,  a week in the garden at the icing room for Element.Void: Antiuniversity

Fragment (2020)

Installation shots from self-appointed residency at multi-storey car park at Martim Moniz, Lisbon

maybe we're going places, baby (2016)

Chair, sponge, yoghurt pot, glass, silicone, boiled and chewy sweets, found text / footage, hair gel

Installation view, Zaratan Arte-Contemporânea, Lisbon

Experiment (stones and happiness) (2018)

Branches, gouache, perspex, soda crystals, water, peacock eye crystal

Installation view: BLUERUiiN, Banco, Lisbon

press to zoom

press to zoom

press to zoom
1/2

That time in Spring (2016)

Cake box, napkin, olive, hose, grass, washing capsule, nail polish, plaster on scaffolding board 

 

Installation view, the icing room

press to zoom

press to zoom

press to zoom

press to zoom
1/11

suspiro. suspiro (2017)

Foam mattress, young clay, gesso, spray, pomegranate flavour hand soap

 

Installation view, Banco, Lisbon

Para escapar (2017)

Love letters, left in various sites around Lisbon, using pink, yellow, purple tape - then printed as a book and sent to friends. 

The letters can be read here

JUST S0 S0 S0 (2018)​

Installation views, Atelier Concorde, Lisbon

The work was developed as part of my PhD project.

JUST S0 S0 S0  explores the relation between language and material, playing with symbols that come to stand for text. The pieces are gestural, visual poems, leading from or back into language. The elements that make up each of the works present something precarious, broken, or covered up in some way. JUST S0 S0 S0 evidences handling by an inexpert touch.

Talvez falaremos em algum momento / Maybe at some point we’ll talk 

Grid, wok, shells, unfired clay, fish bowl, blueberry dye on vegetable paper, text

85cm x 100cm x 18cm (approx.)

 

ASHES  

Acrylic pipes burnt at the ends, cement, ash, amethyst crystal, tree branch with green spray and varnish

2m x 1m x 50cm (approx.)

 

J' Dors Pas Bien 

Moving Image (Dur .12 min, no sound), found cardboard, lemons

1m x 1m x 50cm (approx.)

 

He wasn’t in the limelight 

Poster Series

84cm x 120cm (approx.)

 

press to zoom

RACHEL, 2015

Coat hanger, string, boiled sweets, some of which evaporated by the sun 

Installation view, the icing room

Still politely Loving It (2017)
Metal bath hooks, wax raincoats, unfired clay, string, gesso, yellow spray 
Installation view, Banco, Lisbon